July 2010

July 2010

The Writer

The essential resource for writers

Join thousands of successful writers when you subscribe to The Writer magazine. Each month The Writer is full of features you can use to improve your writing, including before-and-after examples of improved writing, more literary markets than ever before, practical solutions for writing problems, selected literary magazine profiles, tips from famous authors and hands-on advice.

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Features
Get Started: Make your sad story a universal one
By Jessica Handler

To touch readers' hearts, you need to "find the universal in the personal" and apply the tools of craft. Here's how.

pg. 11
Breakthrough: Adaptability, flexibility, focus smoothed her way
By Lisa Maloney

How a systematic, trial-and-error approach helped a writer break into full-time writing.

pg. 12
Off the Cuff: An editing job improved my writing
By Linda K. Wertheimer

A former newspaper editor shares important lessons she learned on "the other side of the fence"—lessons she's put into practice as a freelance writer.

pg. 13
By Debbie Swanson

What's a freelance writer to do when an assigned article sits and sits without pay?

pg. 15
By Jack Smith

For Tim O'Brien, the Vietnam War has remained a crucible in his fiction, but the power of imagination and memory, and "our elusive interior worlds," loom large, too.

pg. 16
Archive: Make your fiction truthful
By Ursula K. Le Guin

By pairing an active imagination with what you already know, you can create an enjoyable, realistic story—even if you're writing a fantasy tale.

pg. 20
By Meg Chittenden

Whether your fictional place is real or made up, our much-published writer has faced the issue of setting many times.

pg. 20
By Joni B. Cole

"Toxic feedback" has justifiably gotten a bad name. But the more constructive variety, if you approach it right, can become an invaluable resource in helping you write more—and better.

pg. 24
By Bharti Kirchner

Learn from this writer and others why it may help to get out of your comfort zone and write in many genres. Among other things, she says, it keeps your income varied and your mind fresh.

pg. 26
By Stefanie Wass

Learn how one freelance writer put her new knowledge to work in landing markets.

pg. 29
By Ashley Shelby

Here's one author's suggestion for a process you can use to improve your nonfiction.

pg. 30
By Staton Rabin

In history-based novels and screenplays, how much can you embellish the facts? Our writer, who has worked in both genres, shares some observations.

pg. 32
Business Freelancing: Secrets to reeling in sales leads
By Robert W. Bly

From a top copywriter, tips on how to satisfy your clients with results-driven copy for direct mail, e-mail marketing and other assignments.

pg. 34
Market Focus: Reaching out to regionals
By Kristine Hansen

Assignments from regional publications can get you through tough economic times—and provide a sense of community, too.

pg. 38
Literary Spotlight: Electric Literature
By Melissa Hart

Film and fiction merge provocatively in the year-old literary journal Electric Literature. Learn about its tone, editorial preferences and contributors.

pg. 40
Departments
Editor's Notes
A monthly feast
By Jeff Reich
pg. 6
Letters
Letters from our readers
pg. 7
Take Note
Something borrowed: The roots of the 'new' plagiarism
By Chuck Leddy, Stephanie Dickison, John K. Borchardt

How the Internet is tempting writers to rely on "somebody else's legwork," plus Stephanie Dickison's regular bimonthly column on the freelance life, how a "sniff test" can save old books, and more.

pg. 8
WriteStuff
Writing your novel, part 2
By Stephen Delaney
A review of The Weekend Novelist Rewrites the Novel: A Step-by-Step Guide to Perfecting Your Work by Robert J. Ray.
pg. 41
A publishing memoir for 'millennials'
By Erika Dreifus
A review of Publish This Book: The Unbelievable True Story of How I Wrote, Sold and Published This Very Book by Stephen Markley.
pg. 37
Markets
Agents, publishers, hobbies/collecting, humor, literary and writing/publishing
By Martha Lundin
pg. 41
How I write
Audrey Niffenegger
By Robert Allen Papinchak
For Audrey Niffenegger, author of the popular novel The Time Traveler's Wife, writing is "pure play, a way of recording daydreams."
pg. 58
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